Henry Doktorski
Pianist
Organist Accordionist Composer Conductor Author Educator
Doktorski writes CD Booklet Notes for
Complete Recorded Works of Guido Deiro, Vol. 1

Count Guido Pietro Deiro (1886-1950) was, without doubt, the first star of the piano-accordion. Born in Italy, he immigrated to the United States in 1908 and became a vaudeville headliner in 1910. For two decades he was the premier piano-accordionist in America and a trailblazer in the field. Deiro was the first piano-accordionist to perform a solo concert in America, play on the vaudeville stage, perform as a soloist in vaudeville, use the name "piano-accordion," make sound recordings of the piano-accordion, write a hit song (his Kismet was the theme song of a successful Broadway musical), play on a radio broadcast, and star in a sound motion picture featuring the accordion. Furthermore, Deiro was one of the highest paid musicians on the vaudeville circuit, commanding an incredible salary of $600 per week. And at the same time—though few people realize it today—he was married to the beautiful actress Mae West.

Maestro of the Piano-Accordion

There has been much confusion about the origins and popularization of the piano-accordion, and this first volume of Guido Deiro's works will begin to dispel the myths and demonstrate that Guido was the one to introduce the instrument to a wide audience in America. After coming to the U.S., Guido settled with family in the Pacific Northwest and gradually made his way, playing at the World's Fair in Seattle in 1909 and creating quite a stir. By 1910, Guido had made a name for himself, performing Sharpshooters' March and My Treasure Waltz, and turning what had been an ethnic instrument into a virtuosic crowd-pleaser. Volume 1 of Guido's Complete Recorded Works witnesses approximately a year and a half of Deiro's rise to stardom (1911-1912).

An Expert at Different Styles

Guido shows here that he could play anything. He succeeds equally at marches (Los Bomberos), waltzes (La Spagnola and Ciribiribin), devotionals (Gounod's Ave Maria), operatic arias (Prelude to Act 3 of La Traviata and Quartet from Rigoletto), rags (Dill Pickles Rag), and popular songs (In the Land of Harmony and Stop! Stop! Stop!). Two other pieces, Variety Polka and Egitto, are Deiro originals showing off the composer's skills with the polka and with a classical fantasia. Guido could produce multiple voices from his instrument in the same performance, thereby giving his playing an orchestral quality.

Original Research and Illustrations from Guido's Family

Notes are provided by noted accordionist and free-reed scholar, Henry Doktorski, and Count Guido Roberto Deiro, the son of Guido Deiro. Count Deiro has also provided photos and illustrations from his own family's collection in helping us achieve a top-notch product of stunning visual beauty. Together, Doktorski and Deiro are telling Guido's story for the first time and restoring him to his rightful place in the history of the piano-accordion.

Accolades from Guido Deiro's Son

It has been our privilege to work with Count Guido Roberto Deiro in assembling this musical and historical tribute to his father, Guido Deiro. He writes:

This CD can be purchased from The Classical Free-Reed, Inc. eBay Store. To order, click on the link below.

Doktorski has previously recorded a double CD: Vaudeville Accordion Classics--The Complete Works of Guido Deiro.

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